Grant A. Poulton

Novelist of the South African frontier.

Writing to mourn an Africa that is gone: the herds of elephant, lost. The trekbokke, lost. The wild veld itself, lost. What it forged from everyone it did not kill, that survives now only in story, and these are mine, set down for my children and their children after them.

One family. Three books. Three generations of blood, land, and the making of a people.

Enter The Leopard’s Bloody Veil Buy Book One

The trilogy

The Leopard’s Bloody Veil

One saga, three volumes. The making and breaking of a family on the South African frontier, 1827–1902.

Book One

The Forging of the Veldtsman

Out now · 1827–1888

A boy on the Winterberg survives a leopard mauling and carries its signature down his body for the rest of his life. By the time the farm is ash, the scar has company, the man who wears it has one eye left, and a country to cross.

“I started your book this morning and was immediately transported into the veld.”Cheryl · ★★★★★ on Goodreads
Explore the book → Read the opening →

Book Two

War

Coming · 1888–1914

The frontier becomes a country, and the country goes to war. The Wit Luiperd rides, and everything the first book forged is put to the fire.

Know when it lands ›

Book Three

Bloodlines

Coming · 1911–

What the war leaves behind, and who carries it forward. The mantle passes, the debt comes due, and the last of the line must choose.

The world of the book

This is Africa.

The author

Grant A. Poulton

Grant A. Poulton

I grew up on the land I write about: in the bush, on its rivers, across South Africa and its neighbours. Somewhere along the way a history teacher made me want to describe this country to a stranger who could not smell it, could not feel the heat come off the ground, could not hear what the silence in the veld is actually full of.

My father’s line runs back to John Poulton, a shoemaker who crossed to the Eastern Cape frontier with the 1820 Settlers. On every side, my roots are the same: settler and Boer, English and Afrikaner, twined across generations. The stories came down with the blood, and stories, like breadcrumbs picked up along the way, are folded and massaged into timeless tales, destined to be forever lost unless someone sets them down for our future generations to see, hear and feel the world that was left behind. That is what I am doing here.

Heated, hammered, folded and quenched. This is the fire the people here endure to call this continent home.